Monday, March 5, 2012

Crossing Stones


Bibliography
Frost, Helen. 2009. Crossing Stones. New York City: Farrar, Straus and Giroux. ISBN 978-0374316532.

Brief plot summary
Crossing Stones is a historical novel in verse that intertwines the lives of two families who live across the stream from one another. In their own voices, four young people, Muriel, Frank, Emma, and Ollie, tell of their traumatic experiences coming of age during World War I. As the boys enlist and are sent to the trenches overseas, Emma finishes school and Muriel fights for peace and women's suffrage. A “Notes on the Form” page at the end of the book explains the cupped-hand sonnets and intricate rhyming scheme used in the book.

Critical analysis
The story is told through the alternating voices of Muriel, Ollie, and Emma. The poet sets up her poems visually as the flowing water and crossing stones of Crabapple Creek depending on the narrator. Muriel’s entries are free-flowing verse having the appearance of the creek while Ollie’s and Emma’s entries are interconnected “cupped-hand” sonnets have the appearance of the creek’s crossing stones. I rarely found the form distracting me from the onward force of the narrative.

While the poetic form has an easy narrative flow, there are striking images created by the poems. For example, the poem “A Bullet and a Bandage” (pp. 84-86) could serve as the heart of the entire novel:
    “A bullet and a bandage for the wound
         it causes, all in one small envelope.”
The novel acts as both the bullet and the bandage for the wound, as it lays bare the terrible waste of all war and the love that is its healer. When Ollie becomes frightened of the pigs wallowing in the mud behind the barn (p. 100) we feel him reliving the terror of the trenches. Later in the novel we see the bandage for the wound when Emily tells Ollie “Let love wash the war away”. (p. 152)

If at first the reader feels Muriel is too strong to be credible she finds as the novel progresses that Muriel’s strength comes from her father’s spirit and has been anticipated by her heroic Aunt Vera who champions women’s suffrage in Washington D.C., enduring prison, forced feedings, and the loss of her job, but remains unbending in her convictions, connecting the generations. This is a story about the different perspectives on war, women’s suffrage, family, love, and loss. These are all themes that are as relevant today as they were in 1917.

Review excerpts
The distinct voices of the characters lend immediacy and crispness to a story of young people forced to grow up too fast.” – Horn Book, Starred Review
“Frost skillfully pulls her characters back from stereotype with their poignant, private, individual voices and nuanced questions, which will hit home with contemporary teens, about how to recover from loss and build a joyful, rewarding future in an unsettled world.” – Booklist, Starred Review
“With care and precision, Frost deftly turns plainspoken conversations and the internal monologues of her characters into stunning poems that combine to present three unique and thoughtful perspectives on war, family, love and loss. Heartbreaking yet ultimately hopeful, this is one to savor.” – Kirkus Reviews, Starred Review
Frost’s warmly sentimental novel covers a lot of political, social, and geographical ground . . . . But this is Muriel’s story, and her determined personality and independence will resonate with readers.” – School Library Journal
A thoughtful read.” – Bulletin of the Center for Children’s Books

Awards / Best Books
Lee Bennett Hopkins Poetry Award Honor Book, 2010
Booklist Top 10 Romance Fiction for Youth, 2010
Booklist Editors’ Choice: Books for Youth, 2009
Booklist Top 10 Historical Fiction for Youth, 2010
Choices, 2010
ALSC Kids Reading List, 2010
Kirkus Best Young Adult Books, 2009
Pure Poetry, 2009
YALSA Best Books for Young Adults, 2010

Classroom Connections
Crossing Stones would be an excellent pairing with Lewis Milestone’s film version of All Quiet on the Western Front. The film will underscore Crossing Stones pro- and anti-war dialectic giving vivid images of the trench warfare experience.

For a documentary look at the settlement houses of first generation immigrants, Dorothy Gish’s film Gretchen the Greenhorn (1919) gives us a contemporary look at the challenges faced by the immigrants.

Students may also wish to explore Woodrow Wilson’s Espionage Act that made it illegal to speak out against the war and its parallels in the Civil War, World War II, the Vietnam War, and most recently in the War on Terrorism.

Other related books:
  • All Quiet on the Western Front by Erich Maria Remarque – ISBN: 978-0316739924
  • Hattie Big Sky by Kirbie Larson – ISBN: 978-0385735957
  • Shooting the Moon by Frances O’Roark Dowell – ISBN 978-1416979869
  • A Time for Courage: The Diary of Kathleen Bowen by Kathryn Lasky – 978-0590511414
  • The War to End all Wars: World War I by Russell Freedman – ISBN 978-0547026862
  • World War I (DK Eyewitness Books) by Simon Adams – ISBN 978-0756630072

Other poetry books by Helen Frost:
  • The Braid – ISBN: 978-0374309626
  • Diamond Willow – ISBN: 978-0374317768
  • Hidden – ISBN: 978-0374382216
  • Keesha’s House – ISBN: 978-0374400125
  • Spinning Through the Universe – ISBN: 978-0374371593